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Signed Charcoal Drawing of Seamstresses from Brazil, 'The Seamstresses'

Product ID: U49342


Signed Charcoal Drawing of Seamstresses from Brazil, 'The Seamstresses'

This item is available for pre-order and will ship within 2 to 8 weeks. Learn More

Available in 2 to 8 weeks. Learn More


Brazilian artist Rui de Olivera uses charcoal to draw a stunning composition that depicts three seamstresses. He draws with an illustrative style, using the simple color palette of charcoal to convey the inner longing and sadness of his subjects. This original drawing was created to illustrate the novel Pena de Ganso (Goose Feather) by Nilma Lacerda. In this story, a young woman from Rio de Janeiro begins to teach herself to read and write, striving for a better life despite the pressures placed upon her by domestic life.

Titled Gravura As Costureiras in Portuguese.

Made in Brazil

  • Graphite on paper
  • Arrives unframed
  • Signed by the artist
  • Mat included
  • Free Gift Wrap? No
  • Premium Gift Wrap? Yes
  • 0.22 kgs
  • 0.5 lbs
  • Artwork: 23 cm W x 28 cm H
  • Artwork: 9" W x 11" H
  • Mat: 40 cm W x 50 cm H
  • Mat: 15.75" W x 19.75" H
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Rui de Oliveira

Meet the Artist

Artfully crafted by Rui de Oliveira from Brazil.


Meet the Artist

Rui de Oliveira

Rui de Oliveira

Rui de Oliveira has illustrated more than 100 books and created more than 400 book covers for major Brazilian publishing houses to-date.

An accomplished artist of international fame, Rui de Oliveira relates a moment of transcendental importance in his life:...

"On September 6, 1956, a poor little boy from Rio de Janeiro's North Zone was admitted into the emergency room of the Barata Ribeiro Children’s Hospital with a serious fracture in the right arm joint as well as serious internal bleeding. The accident had ocurred a day before, in a street fight. Due to the seriousness of the fracture and the possibility of gangrene, the doctors called the boy's older brother – naturally trying to save the parent's the bad news – and they told him the case required the arm to be amputated. However, they would try and do anything within their power to save the arm. Then followed a series of operations and long stays in the hospital – all crowned with victory. In the end, the arm was not amputated.

"That little boy – who happens to be me – wanted in that moment to thank the skill and above effort made by all the doctors in the county hospital to avoid mutilating a small child. Now, with my right arm, I make animations, illustrations, poster bills and paintings which have earned national and international awards."

From Rui de Oliveira's acknowledgements found in the book of illustrations "Little Red Riding Hood and other Illustrated Stories" (Companhia de Letras). Oliveira has dedicates this book "with my heart and soul to the abnegated doctors, who are today also worthy of praise and recognition."

Recognized as one of the leading figures in Brazilian graphic illustration, Rui de Oliveira studied painting at the Museum of Modern Art in Rio de Janeiro, graphic design at the School of Fine Arts, and illustration at the Magyar Iparmüvészeti Fóiskola (Hungarian Institute of Arts and Crafts) in Budapest for six years. He also studied film animation at the Pannonia Film Studio in Budapest, Hungary. He has been developing an intense work as a painter, designer and illustrator.

As a designer he was art director at TV Globo and TV Educativa, both in Rio de Janeiro. He has also illustrated more than 100 books and created more than 400 book covers for major Brazilian publishing houses to-date. He has held several exhibitions in Brazil and abroad. In addition, he has been very successful directing various cartoons and has received relevant national and international awards. Oliveira dedicates a great deal to film animation and at the moment is making an animated film series for TV based on short stories of Brazil and Latin America. Rui de Oliveira teaches graphic design and illustration at the School of Fine Arts at the Universidade Federal do Rio de Janeiro.

He has won awards for illustration in Japan (NOMA-UNESCO Award, 1980) and Switzerland, as well as the most prestigious honors of Brazil (JABUTI Award, 1981 and in 1995). In animated film he has earned awards in places such as New York and Cuba. His works have been exhibited in Portugal, Canada, India, Colombia, France, Japan, Germany, Slovakia, Italy, Iran, and other places.

More from this artist

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4 6 8 10 12 14 16 18 20 22
BUST 35 - 36 37 - 38 39 - 41 42 - 44 46 - 48
WAIST 27 - 28 29 - 30 31 - 33 34 - 36 38 - 40
HIPS 37 - 38 39 - 40 42 - 43 45 - 46 49 - 50
CHEST 36 - 38 39 - 41 42 - 44 46 - 48 50 - 52
WAIST 30 - 32 32 - 34 35 - 37 38 - 41 43 - 45
NECK 14 - 14.5 15 - 15.5 16 - 16.5 17 - 17.5 18 - 18.5
SLEEVE 32.5 33.5 34.5 35.5 36.5

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Our standard inseam length for women is 32" and 34" for men; however inseam measurements will vary slightly by style.


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See buckle/tie belt size standards below.

4 6 8 10 12 14 16 18 20 22
inches 26 - 30 28 - 32 31 - 35 34 - 38 38 - 42
cm 76 - 86 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5

+/- tolerance: 0.5 inches or 1.25 cm

inches 30 - 34 32 - 36 35 - 39 39 - 43 43 - 47
cm 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5 109 - 119

+/- tolerance: 0.5 inches or 1.25 cm

Sash tie length

Lay sash/tie out flat away from the garment and measure from end to end.

Belt with buckle

Measure from the end of the pin of the buckle (where it touches the buckle) to the middle hole.

Belt without buckle

Measure from the belt portion end to end and half of the tie portion. This is will give you the medium size of the belt.

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