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Chulucanas Ceramic Artistry Anthropomorphic Vessel, 'Shopping Together'

Product ID: U69512

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Chulucanas Ceramic Artistry Anthropomorphic Vessel, 'Shopping Together'

This item is available for pre-order and will ship within 2 to 8 weeks. Learn More

Available in 2 to 8 weeks. Learn More

Details

By Gerasimo Sosa, two whimsical water jars are joined to depict two women. They each carry shopping bags brimming with fruits and vegetables as they enjoy a morning of shopping. Working in ceramic in the style of Chulucanas, the master artisan crafts a charming decorative figurine.

Made in Peru

  • Ceramic
  • Not watertight
  • For decorative use only
  • Signed by the artist
  • Hand-crafted item -- color, size and/or motif may vary slightly
  • Free Gift Wrap? No
  • Premium Gift Wrap? Yes
  • 2.00 kgs
  • 4.4 lbs
  • 18 cm H x 25 cm W x 10 cm D
  • 7" H x 9.75" W x 3.9" D
View in metric units View in US/English units

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Meet the Artist

Artfully crafted by Gerasimo Sosa from Andes.

 

Meet the Artist

Gerasimo Sosa

"I participated in obtaining the Protected Designation of Origin for Chulucanas… In 2000, I was recognized as an Amauta (teacher or master) of Peruvian Handicrafts.

"In 1953, I was born in the beautiful and sunny town of Chulucanas in Peru. I consider myself a simple man, happy,... hardworking and responsible. With my father, I learned that the hands of a ceramist are able to bring clay to life.

"At first, I crafted utilitarian pieces that were dominated by modernity. I revived the burnished pottery technique practiced by my ancestors and renovated the themes.

"I work in silence, without haste. At midday in the dusty streets of Chulucanas, the intense heat makes everyone drowsy but, in my workshop, you feel the excitement of our remembered traditions. I revived the paddle and anvil technique I'd learned from my father, Andres Sosa Ruiz. He was born in Simbila, a town that originated with the Tallan culture, and crafted pitchers, cooking pots, jars and kettles for washing dishes or doing laundry.

"Times have changed for village ceramicists because plastic jars and aluminum cookware is more and more available. Thus, it's increasingly difficult for us to make a living, In the 1960s, many artisans abandoned their craft and so did their children. The utilitarian ceramics that we've used since pre-Inca days were almost forgotten.

"This concerned me. I decided to do what I could to maintain the tradition. I started with pieces shaped like pots and vessels, adding human features and giving them a better finish by burnishing the clay and using natural colors. This is how my sculptures known as las gorditas, or "little fat ones" came to be. Today, they've become so popular that almost no one realizes the idea was mine.

"In 1974, Chulucanas ceramics began a new stage of development. At that time, the master potter Max Inga's health was delicate. He met Gloria Joyce, a nun from the U.S. who worked in the medical clinic here. In gratitude, he gave her some ceramic doves, which fascinated her. From then on, she never stopped visiting the workshops of popular artists in the area to motivate them to continue their work.

"I also met Gloria Joyce and she gave me a book on the native ceramicists on the U.S. One day, she brought me a fragment of pottery she'd found to analyze it. The decorative motifs were done with smoke and she remembered that her mother would bring new ceramic pots to a wood-fired stove. She'd playfully throw pieces of clay on them so that the rest of the pot would take on a dark, smoky color. When the clay dried and fell off, it left random, lighter-colored motifs.

"I took a jar and rapidly drew geometric motifs on the surface. I covered them with clay and smoked the pot in a fire. Then I took off the clay applications and created my first negative motif jar in the more than 2000 years since the Vicus culture disappeared.

"Eventually, my work was exhibited in Finland, Holland, Luxemburg, Chile, Panama y Ecuador, where I also gave demonstrations of the ancestral techniques I use today.

"I'm grateful to God that I've been able show my designs in Peru and abroad. I participated in obtaining the Protected Designation of Origin for Chulucanas. This is the only one in Peru. I also helped work toward the title of Flag Product for our ceramics as well. I collaborated on the Artisan and Artisan Productivity Law. In 2000, I was recognized as an Amauta (teacher or master) of Peruvian Handicrafts.

"Since we revalued and revived the ancestral Vicus techniques, we have strengthened the identity of our community and in northern Peru, and crossed borders with our art."

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This item qualifies for FREE SHIPPING!

This item ships with a free artist storycard, so you can remember who you impacted today. Customized gift messages are also available with every order.

We want you to be 100% satified with your order, so if you are not completely happy with your item, you can return it within 60 days of receiving it.

Return instructions

We pack, ship, certify and 100% guarantee the quality of this item. Watch this video to see how.

This item is available for backorder and will ship within 2 to 8 weeks. Artists love to get backorders. Placing a backorder ensures that the artisan will do their best to create and deliver your item to our local office for shipment.

Although we cannot guarantee availability, we do expect to be able to fill the order within the timeframe indicated. But sometimes life happens - special materials may not be immediately available to the artist, or there might be some other circumstance beyond our control that could delay the shipment.

If for any reason we are unable to ship the item within the timeframe indicated, we will notify you.

In the unlikely even that we are unable to ship the item within the timeframe indicated, we will contact you and provide an updated delivery window.

This item has a special shipping flat fee which means that due to bulk, duties, or other special requirements, the item will be shipped to you via one of our special one-rate services. Shipping is only available to the United States (lower 48 States only).

WOMEN S M L XL XXL
4 6 8 10 12 14 16 18 20 22
BUST 35 - 36 37 - 38 39 - 41 42 - 44 46 - 48
WAIST 27 - 28 29 - 30 31 - 33 34 - 36 38 - 40
HIPS 37 - 38 39 - 40 42 - 43 45 - 46 49 - 50
MEN S M L XL XXL
CHEST 36 - 38 39 - 41 42 - 44 46 - 48 50 - 52
WAIST 30 - 32 32 - 34 35 - 37 38 - 41 43 - 45
NECK 14 - 14.5 15 - 15.5 16 - 16.5 17 - 17.5 18 - 18.5
SLEEVE 32.5 33.5 34.5 35.5 36.5
FINDING YOUR SIZE

Take your measurements with the tape measure over your under garments. If your measurements fall between sizes you may prefer the next larger size. Inseam, skirt and dress lengths vary by style and will be listed in the item description. Our sweaters are knit in standard American sizes, however actual measurements vary by style.

BUST / CHEST

Measure around the fullest part of chest under the arms and over the shoulder blades keeping the tape measure level.

WAIST

Measure around the smallest part of the waist keeping the tape measure comfortably loose. Most garments use the low waist measurement noted below.

LOW WAIST

Measure around the body approximately 1.5" below the natural waist (above). This is the area where most pants and skirts actually fit.

HIPS

Standing with your heels together, measure around the fullest part of the body approx 7"-8" below the waist.

NECK

Measure around the base of the neck keeping the tape measure comfortably loose.

SLEEVE

Bend elbow slightly and starting at the center back of the neck, measure across the shoulder, to the elbow and down to the wrist.

INSEAM

Our standard inseam length for women is 32" and 34" for men; however inseam measurements will vary slightly by style.

 

Belts with buckles are measured in inches that correspond to a waist size however, most people do not wear belts on the waist, they wear them closer to the hips. A buckle belt measurement is take from the end of the "pin" of the buckle to the middle hole on the belt. Generally there are 5 holes for size adjustment, with a 1" space between each, so the middle hole will the be average size of the belt.

For at tie belt (no buckle) measure the belt portion end to end and half of the tie portion. This again is the medium size of the belt.

For a soft fabric tie belt it can be called "1 size fits most" and the entire length of the belt should be measured and listed.

See buckle/tie belt size standards below.

WOMEN S M L XL  
4 6 8 10 12 14 16 18 20 22
inches 26 - 30 28 - 32 31 - 35 34 - 38 38 - 42
cm 76 - 86 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5

+/- tolerance: 0.5 inches or 1.25 cm

MEN S M L XL XXL
inches 30 - 34 32 - 36 35 - 39 39 - 43 43 - 47
cm 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5 109 - 119

+/- tolerance: 0.5 inches or 1.25 cm

Sash tie length

Lay sash/tie out flat away from the garment and measure from end to end.

Belt with buckle

Measure from the end of the pin of the buckle (where it touches the buckle) to the middle hole.

Belt without buckle

Measure from the belt portion end to end and half of the tie portion. This is will give you the medium size of the belt.

Download our printable ring sizing chart to find the perfect fit!

DOWNLOAD

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