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Artisan Handmade Polymer Clay Elephant Pendant Necklace, 'Elephant Bust'

Product ID: U29273


Artisan Handmade Polymer Clay Elephant Pendant Necklace, 'Elephant Bust'

This item is available for pre-order and will ship within 2 to 8 weeks. Learn More

Available in 2 to 8 weeks. Learn More


In the Hindu religion, elephants are revered for their great wisdom, so much so that the Hindu deity Ganesha is depicted as a human form with an elephant head. Celebrate the magnificent creature with this beautiful pendant necklace by Jon Stuart Anderson. The pendant is crafted from polymer clay in stunning detail and rich color. It hangs from a cotton cord that features a resin bead for adjusting cord length.

Made in Indonesia

  • Polymer clay, cotton cord
  • Hand-crafted item -- color, size and/or motif may vary slightly
  • Marked with artist's initials or trademark
  • Color and/or motif may vary slightly
  • Length is adjustable
  • Free Gift Wrap? Yes
  • Premium Gift Wrap? Yes
  • 14 grams
  • 0.49 oz
  • Necklace length: 45 cm min L - x 66 cm max L
  • Necklace length: 17.75" min L - x 26" max L
  • Necklace width: 2 mm W
  • Necklace width: 2 mm W
  • Pendant(s): 6.9 cm H x 4.1 cm W x 2.1 cm D
  • Pendant(s): 2.7" H x 1.6" W x 0.8" D
View in metric units View in US/English units

Product Reviews By Customers



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Meet the Artist

Artfully crafted by Jon Stuart Anderson from Indonesia.


Meet the Artist

Jon Stuart Anderson

"I was exposed to a variety of arts and crafts as a boy... Each member of my family is or was an artist, potter, sculptor, painter... My grandfather was a fine jeweler."

"I'm Jon Stuart Anderson. I grew up all over the US, Mexico, Venezuela and Costa Rica. My father always looked to the... horizon and was insatiably curious.

"I was exposed to a variety of arts and crafts as a boy when I traveled with my family. The influences that stand out in my mind are the architecture of Frank Lloyd Wright, Native American art, my mother's wildlife sculptures and the pre-Hispanic art of Mesoamerica.

"Each member of my family is or was an artist, potter, sculptor, painter — you name it; that's how we made our living. My grandfather was a fine jeweler. The first piece I can clearly recall making is a terracotta pony when I was three years old.

"In Veracruz, Mexico, a girlfriend taught me how to make my own bamboo tools to work with clay. I take a lot of pride in working by hand and keep grinders and other mechanical tools out of my workshop.

"I now work exclusively with polymer clay and feel blessed to have found a medium I can honestly say I was born for. I learned from a book by Nan Roche titled "The New Clay" but have had no formal instruction beyond that. I drew on past experience more than anything.

"I began making jewelry components in 1991. I quickly developed my own voice through this medium and began making and selling my work on my own. Polymer clay is a post-war medium that is still being defined and finding its place in the art world. I can confidently say that I am considered one of the most innovative and accomplished practitioners of this medium. A friend recognized my potential and set me up with a workshop in Bali in 1993.

"I usually create animal sculptures that are covered in a layer of polymer clay. We use all of our scraps to make the framework for my animal sculptures. We also use it sometimes for small toys like yo-yos. Polymer clay has become popular and I think that at least 95 percent of it is made into jewelry while most of the rest is used in home crafts. I try to create designs so difficult to make that no machine could keep pace with my ideas.

"I design everything made in our workshop. I have 25 artisans who assist me. They help in blending colors, which is a huge undertaking that requires eight people at once. Four people push scrap clay into molds, others work on sanding, burnishing quality control and packing. It's like the Lucy episode in the candy factory every now and then, but we make things no one has ever seen or even thought possible.

"I stretch the mind of the people who look at my work. I continue to improve and I amaze myself. I've blown past the goals I had as a young man. It is my hope that the people who have worked with me here since 1992 will continue to grow the project. I would like to slowly remove myself from the workshop and give it to the workers through my Indonesian partner, Meili Wibisono, who owns our enterprise.

"In 2005, I was infected with Japanese encephalitis, which has a mortality rate of 27 to 35 percent, so I have much to be happy about. Unfortunately, the disease causes severe side effects such a motor deficits, seizures and short term memory loss... it takes you from yourself.

"I've had to construct a new way of thinking about how we came to be who we are. It is terrifying to be, each minute. I was flat for almost a year. My helpers recycled previous designs and kept me involved with day-to-day work. It was my therapy that helped the most. To be needed and loved in such an urgent, matter of fact way left no room for self-pity. I'm still learning from the disease as it can take the rest of your life to stop slowly changing your brain chemistry. It has made my art go into areas I never could have anticipated.

"Change what's under your feet and between your ears and make those places better in the most diligent frame of mind. As a polymer clay artist, I create artifacts of the mind, my visions and experience with other cultures, ethno-botanical art that will endure long after the oil has run out. I'm trying to create something that will leave a footprint of beauty rather than destruction. As an artist who works exclusively with polymer clay, I want to give my chosen medium the nobility it deserves."

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This item qualifies for FREE SHIPPING!

This item ships with a free artist storycard, so you can remember who you impacted today. Customized gift messages are also available with every order.

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Return instructions

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This item is available for backorder and will ship within 2 to 8 weeks. Artists love to get backorders. Placing a backorder ensures that the artisan will do their best to create and deliver your item to our local office for shipment.

Although we cannot guarantee availability, we do expect to be able to fill the order within the timeframe indicated. But sometimes life happens - special materials may not be immediately available to the artist, or there might be some other circumstance beyond our control that could delay the shipment.

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4 6 8 10 12 14 16 18 20 22
BUST 35 - 36 37 - 38 39 - 41 42 - 44 46 - 48
WAIST 27 - 28 29 - 30 31 - 33 34 - 36 38 - 40
HIPS 37 - 38 39 - 40 42 - 43 45 - 46 49 - 50
CHEST 36 - 38 39 - 41 42 - 44 46 - 48 50 - 52
WAIST 30 - 32 32 - 34 35 - 37 38 - 41 43 - 45
NECK 14 - 14.5 15 - 15.5 16 - 16.5 17 - 17.5 18 - 18.5
SLEEVE 32.5 33.5 34.5 35.5 36.5

Take your measurements with the tape measure over your under garments. If your measurements fall between sizes you may prefer the next larger size. Inseam, skirt and dress lengths vary by style and will be listed in the item description. Our sweaters are knit in standard American sizes, however actual measurements vary by style.


Measure around the fullest part of chest under the arms and over the shoulder blades keeping the tape measure level.


Measure around the smallest part of the waist keeping the tape measure comfortably loose. Most garments use the low waist measurement noted below.


Measure around the body approximately 1.5" below the natural waist (above). This is the area where most pants and skirts actually fit.


Standing with your heels together, measure around the fullest part of the body approx 7"-8" below the waist.


Measure around the base of the neck keeping the tape measure comfortably loose.


Bend elbow slightly and starting at the center back of the neck, measure across the shoulder, to the elbow and down to the wrist.


Our standard inseam length for women is 32" and 34" for men; however inseam measurements will vary slightly by style.


Belts with buckles are measured in inches that correspond to a waist size however, most people do not wear belts on the waist, they wear them closer to the hips. A buckle belt measurement is take from the end of the "pin" of the buckle to the middle hole on the belt. Generally there are 5 holes for size adjustment, with a 1" space between each, so the middle hole will the be average size of the belt.

For at tie belt (no buckle) measure the belt portion end to end and half of the tie portion. This again is the medium size of the belt.

For a soft fabric tie belt it can be called "1 size fits most" and the entire length of the belt should be measured and listed.

See buckle/tie belt size standards below.

4 6 8 10 12 14 16 18 20 22
inches 26 - 30 28 - 32 31 - 35 34 - 38 38 - 42
cm 76 - 86 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5

+/- tolerance: 0.5 inches or 1.25 cm

inches 30 - 34 32 - 36 35 - 39 39 - 43 43 - 47
cm 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5 109 - 119

+/- tolerance: 0.5 inches or 1.25 cm

Sash tie length

Lay sash/tie out flat away from the garment and measure from end to end.

Belt with buckle

Measure from the end of the pin of the buckle (where it touches the buckle) to the middle hole.

Belt without buckle

Measure from the belt portion end to end and half of the tie portion. This is will give you the medium size of the belt.

Download our printable ring sizing chart to find the perfect fit!


We refer to these items as "discounted wholesale". Such items carry a deeper wholesale discount than other items, and have greater potential to provide your business with healthier resale margins.

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