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Multicolor Hen & Chicks Woodcut Print by J. Borges in Brazil, 'The Hen and Her Chicks III'

Product ID: U63692

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Multicolor Hen & Chicks Woodcut Print by J. Borges in Brazil, 'The Hen and Her Chicks III'

Delivery Estimate

This item is available for pre-order and will ship within 2 to 8 weeks. Learn More

Available in 2 to 8 weeks. Learn More

Details

Cheerful chicks cluster around their mother hen, each flaunting bright plumage in different colors. Watching over them attentively, the mother bird dwarfs her eleven diminutive babies as they bask in the shade of a green tree. J. Borges creates a delightful woodcut print in his hallmark naif style as he recalls his childhood in rural Brazil.

Xylograph (woodcut) print on paper, titled "A Galinha e os Pintinhos" in Portuguese.

Made in Brazil

  • Ink on parchment paper
  • Arrives unframed
  • Signed by the artist
  • Limited edition
  • Free Gift Wrap? No
  • Premium Gift Wrap? Yes
  • 30 grams
  • 1.06 oz
  • 48 cm W x 33 cm H
  • 19" W x 13" H
View in metric units View in US/English units

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J. Borges

Meet the Artist

Artfully crafted by J. Borges from Brazil.

 

Meet the Artist

J. Borges

J. Borges

NY Times writer Ariano Suassuna considered him the best popular xylographer in the Northeast. J. Borges was declared a Living Heritage by the State of Pernambuco.

"I was born in the countryside in Pernambuco, on December 20, 1935. My father was a farmer and I helped him farm the... land from the age of eight. It was not until the age of twelve that I attended school for the first time, but for just ten months when the only teacher moved away. The day I could write my name and read was a big event. My teacher was surprised by how fast I was learning. Since then, reading whatever I saw was my favorite way to spend my time. But in those days, there were no newspapers, magazines or radio where we lived. All we had for distraction were cordel leaflets. They took their name from the cords from which they hung at newsstands. They were inexpensive and often illustrated with a woodcut print on the cover. My father read these stories to his children.

"In 1952, due to a drought, my family moved to a city. I was then seventeen and have worked as a carpenter, peddler, wall painter, potter, and more. In 1956, I bought a lot of cordel leaflets and began to sell them at popular fairs.

"In 1964, I wrote my first cordel leaflet, ‘The Encounter of Two Cowboys in the Petrolina Hinterland,' and got it illustrated by an artist named Dila. In two months, I sold five thousand copies. For my second leaflet, I couldn't afford a cover illustration and decided to do it myself. It was my first woodcut and depicted the facade of a church.

"Looking back at those years, I feel very grateful for what life has given me. For a very simple man with only ten months of schooling, being recognized and honored in Brazil and elsewhere was incredible. But my great joy and luck was meeting Ariano Suassuna, a great writer who made me known all over Brazil and abroad. Another person I enjoyed meeting and working with was the Uruguayan writer Eduardo Galeano for whom I made 185 engravings that illustrate his book Walking Words

"Even so, I don't take advantage of that fame to charge high prices for my work. I want it in the homes of mason, carpenters, farmers, and not only in the homes of the rich.

"With my woodcuts and cordels, I was able to raise my eighteen children. I like what I do and have taught my technique to my sons and apprentices. It is a way to perpetuate my art. I want to work for as long as I am healthy, and to enjoy life."

J. Borges' woodcuts have been exhibited in a number of countries in Europe and Latin America, as well as in the United States, in museums, galleries and cultural events.

He was awarded the Order of Merit by Brazilian President Fernando Henrique Cardoso. In 2002, he received the UNESCO award in the Educational / Cultural Action category and was chosen to illustrate the United Nations annual calendar, where his woodcut "Life in the Forest" opens the year.

In 2006, he was featured in the The New York Times. The writer Ariano Suassuna considered him the best popular xylographer in the Northeast. J. Borges was declared a Living Heritage by the State of Pernambuco.

In addition to Eduardo Galeano's Walking Words, the artist also illustrated Nobel Prize-winning author Jose de Sousa Saramago's book The Lizard.

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WOMEN S M L XL XXL
4 6 8 10 12 14 16 18 20 22
BUST 35 - 36 37 - 38 39 - 41 42 - 44 46 - 48
WAIST 27 - 28 29 - 30 31 - 33 34 - 36 38 - 40
HIPS 37 - 38 39 - 40 42 - 43 45 - 46 49 - 50
MEN S M L XL XXL
CHEST 36 - 38 39 - 41 42 - 44 46 - 48 50 - 52
WAIST 30 - 32 32 - 34 35 - 37 38 - 41 43 - 45
NECK 14 - 14.5 15 - 15.5 16 - 16.5 17 - 17.5 18 - 18.5
SLEEVE 32.5 33.5 34.5 35.5 36.5
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BUST / CHEST

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WAIST

Measure around the smallest part of the waist keeping the tape measure comfortably loose. Most garments use the low waist measurement noted below.

LOW WAIST

Measure around the body approximately 1.5" below the natural waist (above). This is the area where most pants and skirts actually fit.

HIPS

Standing with your heels together, measure around the fullest part of the body approx 7"-8" below the waist.

NECK

Measure around the base of the neck keeping the tape measure comfortably loose.

SLEEVE

Bend elbow slightly and starting at the center back of the neck, measure across the shoulder, to the elbow and down to the wrist.

INSEAM

Our standard inseam length for women is 32" and 34" for men; however inseam measurements will vary slightly by style.

 

Belts with buckles are measured in inches that correspond to a waist size however, most people do not wear belts on the waist, they wear them closer to the hips. A buckle belt measurement is take from the end of the "pin" of the buckle to the middle hole on the belt. Generally there are 5 holes for size adjustment, with a 1" space between each, so the middle hole will the be average size of the belt.

For at tie belt (no buckle) measure the belt portion end to end and half of the tie portion. This again is the medium size of the belt.

For a soft fabric tie belt it can be called "1 size fits most" and the entire length of the belt should be measured and listed.

See buckle/tie belt size standards below.

WOMEN S M L XL  
4 6 8 10 12 14 16 18 20 22
inches 26 - 30 28 - 32 31 - 35 34 - 38 38 - 42
cm 76 - 86 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5

+/- tolerance: 0.5 inches or 1.25 cm

MEN S M L XL XXL
inches 30 - 34 32 - 36 35 - 39 39 - 43 43 - 47
cm 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5 109 - 119

+/- tolerance: 0.5 inches or 1.25 cm

Sash tie length

Lay sash/tie out flat away from the garment and measure from end to end.

Belt with buckle

Measure from the end of the pin of the buckle (where it touches the buckle) to the middle hole.

Belt without buckle

Measure from the belt portion end to end and half of the tie portion. This is will give you the medium size of the belt.

Download our printable ring sizing chart to find the perfect fit!

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