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Hand-painted Cotton Batik Sarong, 'Tropical Cattleya'

Product ID: U163581

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Hand-painted Cotton Batik Sarong, 'Tropical Cattleya'

This item is available for pre-order and will ship within 2 to 8 weeks. Learn More

Available in 2 to 8 weeks. Learn More

Details

Cattleya orchids blossom with lush fresh colors over the white cotton textures of this Thai sarong. Chomsuda Samana paints the composition by hand using traditional batik techniques for this beautiful sarong.

Made in Thailand

  • 100% cotton
  • Dry in the shade
  • Lay flat to dry
  • One size fits most
  • Machine wash in cold water
  • Handcrafted batik art--colors and pattern placement will vary
  • Free Gift Wrap? Yes
  • Premium Gift Wrap? Yes
  • 0.11 kgs
  • 0.2 lbs
  • 155 cm L x 105 cm W
  • 61" L x 41" W
View in metric units View in US/English units

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Chomsuda Samana

Meet the Artist

Artfully crafted by Chomsuda Samana from Thailand.

 

Meet the Artist

Chomsuda Samana

Chomsuda Samana

"When I look back at my decision to not go abroad, I don't regret it at all. If I had left Thailand, there'd have been no one to continue the batik work that my mother truly loves."

"I was born in Bangkok in 1974, where I spent my childhood. Then my family moved to northern Thailand when my father was... sent there for his government job.

"My mother began working in batik in 1973, and I learned the techniques of textile dyeing, waxed drawing, and color combination from my father, who graduated with a degree in textiles and is also an expert in the industry promotion center.

"At first, my mother produced only simple motifs using easy techniques, but she focused mainly on the quality, so the colors had to be durable. Most of her early designs used woven fabric that could be used for tablecloths, sarongs, and such. At that time, batik was very new and her work rapidly became popular.

"I helped my mother work at home with wax drawing and simple painting. However, I only helped her as a child playing. Sometimes I'd dip my hands into the liquid wax and let it dry so it felt like I was wearing gloves. Everyone must have been nervous, though, when they had to help me take it off.

"While studying, I participated in almost all the school activities, like sports, music, debate, etc., so I received awards from the school every year.

"After graduating from high school, I got a scholarship to study accounting. I wanted to help with our home workshop. We started selling materials for weaving and dying cloth because it was difficult to find at that time. We had to order everything from Bangkok.

"After completing my bachelor's degree, I was awarded a scholarship to study in the United States. My family agreed and encouraged me, so I tried my best to prepare for the English exams. I took the exam several times before I passed.

"I had almost everything ready to go, and had even reserved accommodations and chosen my departure date. Unfortunately, my mother didn't agree to let me go. She asked me to stay in Thailand because she was afraid I wouldn't come back to live here again after graduating abroad. She cried and begged me to change my mind, and said she would give me her batik workshop. I was very confused because everything had been prepared. However, I love her and decided to stay. Since then, I have taken care of her batik, although I didn't feel excited or enthusiastic at first because I'd been involved in the art since childhood.

"I felt the pressure when I had to take the work seriously. I had to adapt in many ways and it was very challenging. I thought I had a certain expertise in batik fabric but, when the day came, I had to study many new things.

"There were many obstacles to face, for example, when the color would not be as desired. I was very discouraged but my mother always encouraged me and helped me find the solution.

"In addition to my parents, another important person who empowered me is my sister. She graduated in textiles. She helps me to develop more techniques to create many varieties of batik fabric. There were more complex processes that resulted in a more quaint beauty. Therefore, our batiks are outstanding and more modern.

"We begin with a white cloth or piece of clothing. We draw the pattern onto the fabric with a pencil, and use the wax pen, or jancting to write the pattern lines in order to block color absorption. Then the cloth is dyed. The colors have to be absorbed through both the front and back of the fabric. Once it dries, we coat the cloth with sodium silicate to make the color permanent. We leave it on for a while, then rinse it out. Next, the fabric goes into boiling water with artificial soap to melt the wax out. After that, it is rinsed thoroughly once more.

"Each piece of batik takes at least two days, and we rely on the sunlight to dry it.

"Our garments are given to the villagers to sew, and this helps distribute income to the community.

"Batik fabric work is now a tradition in Thailand and is widespread throughout the country. Each area has its own identity, which can be seen in the patterns. For my batik work, I have focused on the selection of quality materials to create my own unique motifs. I apply some special techniques to make it more interesting, such as making textures on solid color or creating two layers of color on the wax to create more beautiful patterns.

"Currently, my father has retired. He and my mother have been spending time with their longan orchard and planting vegetables. My sister and I take care of the batik workshop on our own.

"When I look back at my decision to not go abroad, I don't regret it at all. If I had left Thailand, there'd have been no one to continue the batik work that my mother truly loves. And I don't believe we'd be together as a family like we are.

"Someday, I would like to open a school to train interested people to do batik work professionally, and without charging tuition. My inspiration for this comes from my father. He told me that he used to teach a person who felt so hopeless that she even thought about committing suicide. When she received training, she felt more encouraged. She has work to do and it is work that she loves. Now she really has a joyful life and can earn an income by doing batik.

"I would like to thank my parents and my sister who taught me about batik. I sincerely hope that you like my designs."

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WOMEN S M L XL XXL
4 6 8 10 12 14 16 18 20 22
BUST 35 - 36 37 - 38 39 - 41 42 - 44 46 - 48
WAIST 27 - 28 29 - 30 31 - 33 34 - 36 38 - 40
HIPS 37 - 38 39 - 40 42 - 43 45 - 46 49 - 50
MEN S M L XL XXL
CHEST 36 - 38 39 - 41 42 - 44 46 - 48 50 - 52
WAIST 30 - 32 32 - 34 35 - 37 38 - 41 43 - 45
NECK 14 - 14.5 15 - 15.5 16 - 16.5 17 - 17.5 18 - 18.5
SLEEVE 32.5 33.5 34.5 35.5 36.5
FINDING YOUR SIZE

Take your measurements with the tape measure over your under garments. If your measurements fall between sizes you may prefer the next larger size. Inseam, skirt and dress lengths vary by style and will be listed in the item description. Our sweaters are knit in standard American sizes, however actual measurements vary by style.

BUST / CHEST

Measure around the fullest part of chest under the arms and over the shoulder blades keeping the tape measure level.

WAIST

Measure around the smallest part of the waist keeping the tape measure comfortably loose. Most garments use the low waist measurement noted below.

LOW WAIST

Measure around the body approximately 1.5" below the natural waist (above). This is the area where most pants and skirts actually fit.

HIPS

Standing with your heels together, measure around the fullest part of the body approx 7"-8" below the waist.

NECK

Measure around the base of the neck keeping the tape measure comfortably loose.

SLEEVE

Bend elbow slightly and starting at the center back of the neck, measure across the shoulder, to the elbow and down to the wrist.

INSEAM

Our standard inseam length for women is 32" and 34" for men; however inseam measurements will vary slightly by style.

 

Belts with buckles are measured in inches that correspond to a waist size however, most people do not wear belts on the waist, they wear them closer to the hips. A buckle belt measurement is take from the end of the "pin" of the buckle to the middle hole on the belt. Generally there are 5 holes for size adjustment, with a 1" space between each, so the middle hole will the be average size of the belt.

For at tie belt (no buckle) measure the belt portion end to end and half of the tie portion. This again is the medium size of the belt.

For a soft fabric tie belt it can be called "1 size fits most" and the entire length of the belt should be measured and listed.

See buckle/tie belt size standards below.

WOMEN S M L XL  
4 6 8 10 12 14 16 18 20 22
inches 26 - 30 28 - 32 31 - 35 34 - 38 38 - 42
cm 76 - 86 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5

+/- tolerance: 0.5 inches or 1.25 cm

MEN S M L XL XXL
inches 30 - 34 32 - 36 35 - 39 39 - 43 43 - 47
cm 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5 109 - 119

+/- tolerance: 0.5 inches or 1.25 cm

Sash tie length

Lay sash/tie out flat away from the garment and measure from end to end.

Belt with buckle

Measure from the end of the pin of the buckle (where it touches the buckle) to the middle hole.

Belt without buckle

Measure from the belt portion end to end and half of the tie portion. This is will give you the medium size of the belt.

Download our printable ring sizing chart to find the perfect fit!

DOWNLOAD

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