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Hand Made Wood Accent Table, 'African Mother'

Product ID: U19293

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Hand Made Wood Accent Table, 'African Mother'

5.0 (artist rating)

This item is available for pre-order and will ship within 2 to 8 weeks. Learn More

Available in 2 to 8 weeks. Learn More

Details

Seen in silhouette, a woman gazes lovingly at the child she cradles. The motif is repeated three times in this design by George Obeng. He works in sese wood to craft a beautiful accent table in brown and black. "The relationship that exists between the mother and the child is that of love. Love is universal and all creatures need it to survive. The need for love and harmony is my theme."

Made in Ghana

  • Sese wood
  • Features a rustic, rugged finish
  • Hand-crafted item -- color, size and/or motif may vary slightly
  • Free Gift Wrap? No
  • Premium Gift Wrap? No
  • 1.08 kgs
  • 2.4 lbs
  • 42 cm H x 20 cm Diam.
  • 16.5" H x 7.75" Diam.
View in metric units View in US/English units

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George Obeng

Meet the Artist

Artfully crafted by George Obeng from West Africa.

 

Meet the Artist

George Obeng

George Obeng

5.0 (artist rating)

"Carving is my forever passion, and my dream is to build a school for learning sculpture making and carving since there are few around my country.”

Latest Update “I joined Novica in 2008. Before I used to work with the Ghana art council, but I left there to fully... Latest Update

“I joined Novica in 2008. Before I used to work with the Ghana art council, but I left there to fully focus on producing with Novica. In the art council, I was only allowed to work on the finishing aspect of production which I think limited my creativity because I wasn't allowed to carve. Back then there was no financial support or sponsorship for our production. Since Novica came into the picture, they have been able to help us produce more with the interest-free loans they offer. Joining Novica has helped increase my scale in production, and I produce more than before.

“At first we couldn't buy raw materials ahead of time because we did not have money, and it affected our business and art. This resulted in cracks in our work because we couldn't observe the wood before using it. Normally it is best to buy wood ahead of time to observe it, but because we didn't have money at that time we would buy wood the moment we got an order. Thanks to Novica's loan support, we can reach our creative target now.

“I feel successful because carving has helped me build my own house. I now work at home. I also supported my children's education, and three of them are successfully married. I don't need to worry about where to work now because I have been able to build myself a big home and a space to work effectively. I have helped train 15 people who are now working on their own. Carving is my forever passion, and my dream is to build a school for learning sculpture making and carving since there are few around my country.”

Original Artist Story

George Obeng was born on March 30, 1952. His carvings are realized primarily in ebony wood, as the material is endowed with innate strength and beauty that requires no chemical enhancement. Mahogany, odum (oak), sese, and odanta are other woods he employs, although these need to be treated for preservation. Obeng prefers to leave his ebony carvings unpolished, he says, "Because the beauty and natural sheen of the wood in nature is left on perpetual display."

The artist is motivated to carve by one principal theme: "Recording the events" of his time. As an animal rights activist and a committed vegetarian, wildlife plays an integral role in his work, such as the tenderness of the butterfly, the mischief of the monkey, the slowness of the snail, and the vivacious character of the bird. Each of his carvings is a poignant reminder of this critical juncture in the preservation of the global environment and communal ecology.

Themes of the "Third World" also inspire Obeng's art. Depictions of female figures, often carrying children and heavy baskets simultaneously; comments on the cyclical problem of social confusion and irresolution, which extend into the endemic nature of inadequate and/or nonexistent development of facilities like health care, education, food, security. He is an observer of his time, struggling to represent the myriad unheard voices that surround him.

But for his stalwart determination, Obeng would not be the carver he is today. He had been ordered by an elder relative to take up typesetting and printing, and from 1967 to 1970 he was apprenticed to a master printer, having completed Middle School Education with a certificate in 1967. However, he defied his family and undertook part time studies in sculpture from 1970 to 71. Between 1972 and 1974 he took a course in sculpture at the School of Art and then a proficiency course in sculpture at the university College of Art. He worked as Assistant Cultural Officer with the Arts Council of Ghana while practicing painting between 1971 and 1986. Obeng was responsible for exhibitions, restorations, commission, and training workshops for carvers. As an apprentice for Saka Acquaye, a renowned sculptor, he was able to participate in exhibitions in Ghana, Oakland, Britain, Bulgaria, Romania, and China, along with many other African countries.

Since 1986, Obeng runs a workshop where he constantly trains apprentices; he also offers assistance to carvers. His works are displayed in the Official Residence of the Ghana High Commissioner to Nigeria; in Barclays Bank, Ghana Ltd., Africa Films Ltd., and the Arts Council of Ghana, Accra. His awards include second and third prizes in Sculpture, National Arts Contest 1979 and Sculptor of the Year from Leisure Arts and Entertainment, 1988.

He is currently married to his sweetheart with whom he has four wonderful children.

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WOMEN S M L XL XXL
4 6 8 10 12 14 16 18 20 22
BUST 35 - 36 37 - 38 39 - 41 42 - 44 46 - 48
WAIST 27 - 28 29 - 30 31 - 33 34 - 36 38 - 40
HIPS 37 - 38 39 - 40 42 - 43 45 - 46 49 - 50
MEN S M L XL XXL
CHEST 36 - 38 39 - 41 42 - 44 46 - 48 50 - 52
WAIST 30 - 32 32 - 34 35 - 37 38 - 41 43 - 45
NECK 14 - 14.5 15 - 15.5 16 - 16.5 17 - 17.5 18 - 18.5
SLEEVE 32.5 33.5 34.5 35.5 36.5
FINDING YOUR SIZE

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BUST / CHEST

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WAIST

Measure around the smallest part of the waist keeping the tape measure comfortably loose. Most garments use the low waist measurement noted below.

LOW WAIST

Measure around the body approximately 1.5" below the natural waist (above). This is the area where most pants and skirts actually fit.

HIPS

Standing with your heels together, measure around the fullest part of the body approx 7"-8" below the waist.

NECK

Measure around the base of the neck keeping the tape measure comfortably loose.

SLEEVE

Bend elbow slightly and starting at the center back of the neck, measure across the shoulder, to the elbow and down to the wrist.

INSEAM

Our standard inseam length for women is 32" and 34" for men; however inseam measurements will vary slightly by style.

 

Belts with buckles are measured in inches that correspond to a waist size however, most people do not wear belts on the waist, they wear them closer to the hips. A buckle belt measurement is take from the end of the "pin" of the buckle to the middle hole on the belt. Generally there are 5 holes for size adjustment, with a 1" space between each, so the middle hole will the be average size of the belt.

For at tie belt (no buckle) measure the belt portion end to end and half of the tie portion. This again is the medium size of the belt.

For a soft fabric tie belt it can be called "1 size fits most" and the entire length of the belt should be measured and listed.

See buckle/tie belt size standards below.

WOMEN S M L XL  
4 6 8 10 12 14 16 18 20 22
inches 26 - 30 28 - 32 31 - 35 34 - 38 38 - 42
cm 76 - 86 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5

+/- tolerance: 0.5 inches or 1.25 cm

MEN S M L XL XXL
inches 30 - 34 32 - 36 35 - 39 39 - 43 43 - 47
cm 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5 109 - 119

+/- tolerance: 0.5 inches or 1.25 cm

Sash tie length

Lay sash/tie out flat away from the garment and measure from end to end.

Belt with buckle

Measure from the end of the pin of the buckle (where it touches the buckle) to the middle hole.

Belt without buckle

Measure from the belt portion end to end and half of the tie portion. This is will give you the medium size of the belt.

Download our printable ring sizing chart to find the perfect fit!

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