Reflecting the rocky hues of the Cañón de los Perdidos (Canyon of the Lost) at Ica, this pair of cushion covers from Peru is decorated with speckled earth-tone stripes. Artisan W. Rojas Yuri hand-weaves the pair of cotton on a traditional loom, diligently incorporating the yarns to create the fabulous pattern. Each cover features a solid color in golden brown on the back, complete with a slit for inserting a cushion. The pair is accented with tassels at the corners.
Made in Peru
100% cotton
Cushion(s) not included
Hand wash only
Hand-crafted item -- color, size and/or motif may vary slightly
"I'm currently exploring new alternatives, but I follow the rules of the old weavers from Tarma. I search for more complicated geometric patterns, combined with cubism."
"I'm Wilfredo Rojas Yurivilca, but I shorten my name and work with the artistic name of W. Rojas Yuri to identify myself... with my designs. I was born on September 8, 1966 in San Pedro de Cajas, in Tarma province where I lived until I graduated from high school. I love this town and its people, whom I carry in my memories.
"San Pedro de Cajas is Peru's artisan capital. I was just a child of seven when I made my first sketches on the looms that I could reach. These were my first artistic flashes of the continuation of Andean textile artistry. I remember I was so small and curious, but the looms were so large I couldn't reach them. So I'd climb on a chair and watch the older people work on a huge loom of more than four meters.
"When I was ten, I wove my first tapestry completely by hand without anyone's help. It depicted a tree surrounded by birds of different colors. My family was impressed by the finishing I'd given it and, when they sold it, they wanted me to make more. I used this design to enter a contest for children with talent in artisan design, and it was one of the best for my age. I won an invitation to Venezuela but, because of school and how young I was, I couldn't go. And I had no one to travel with me.
"My artistic vocation comes from my maternal grandparents, Angélica Oscanoa Amaro and Don César Yurivilca Román, my best guide and teacher. He led me toward this wonderful world of art even though my mother, Grimalda, also had a great influence on me. Born in 1924, my grandfather is a living legend in the art of hand-weaving in San Pedro de Cajas. In 1998, the government awarded him the degree of Grand Master of Peruvian Handicrafts. In addition, for many years he taught various generations of San Pedro weavers in his home town. It was because of him that I had ascended in my professional formation, and he taught me the secrets of textile art.
"I also learned a great deal from the Grand Master of Peruvian Textile Art, Máximo Laura, whom I met in 1995 when I participated in a workshop-course in Lima. There was good chemistry from the start, and maestro Laura and I began a great friendship. I sincerely admire his works with unimaginable designs. I was fortunate to be invited to work in his workshop, where I stayed for five years, until I set out to find my creative independence. In the workshop-course, I not only met artisans from all over the country, but also learned many things such as dye percentages, designs for globalization, and worldwide color trends with handmade Peruvian products.
"I inherited the last name Yuri as a shortened form of the maternal name that I place in all my creations. I'm currently exploring new alternatives, but I follow the rules of the old weavers from Tarma. I search for more complicated geometric patterns, combined with cubism. I like to create new designs and styles within what is my own.
"When I was 19, I moved to Lima in search of getting ahead intellectually and economically to be able to support my family. I studied for a technical degree in accounting, and took other courses such as design, dying, innovation in handicrafts, fashion with pre-Hispanic style, etc.
"I work with my family – my mother, my brothers and uncles. I have a number of handlooms and, when I have lots of work, I don't keep to any schedule. I work day and night without rest until I fill my orders. And I'm not careless in their elaboration – I try to perfect my work and deliver my very best in each weaving.
"I've shown my designs in Peru and also in Colombia, Venezuela, Chile, Bolivia, the U.S. and a little in Europe. Articles in the magazine Mundo Textil (Textile World) have focused on my artistic life.
"I'd like to leave a modest message to the youth of our country. If you have the vocation, then live the continuation of this great cultural legacy our ancestors have left us."
Only valid on the Normal shipping option for shipments to 48 Lower US states.
Discounted shipping price may not be applied to previous orders.
This item ships with a free artist storycard, so you can remember who you impacted today. Customized gift messages are also available with every order.
We want you to be 100% satified with your order, so if you are not completely happy with your item, you can return it within 60 days of receiving it.
We pack, ship, certify and 100% guarantee the quality of this item. Watch this video to see how.
This item is available for backorder and will ship within 2 to 8 weeks. Artists love to get backorders. Placing a backorder ensures that the artisan will do their best to create and deliver your item to our local office for shipment.
Although we cannot guarantee availability, we do expect to be able to fill the order within the timeframe indicated. But sometimes life happens - special materials may not be immediately available to the artist, or there might be some other circumstance beyond our control that could delay the shipment.
If for any reason we are unable to ship the item within the timeframe indicated, we will notify you.
In the unlikely even that we are unable to ship the item within the timeframe indicated, we will contact you and provide an updated delivery window.
This item has a special shipping flat fee which means that due to bulk, duties, or other special requirements, the item will be shipped to you via one of our special one-rate services. Shipping is only available to the United States (lower 48 States only).
WOMEN
S
M
L
XL
XXL
4
6
8
10
12
14
16
18
20
22
BUST
35 - 36
37 - 38
39 - 41
42 - 44
46 - 48
WAIST
27 - 28
29 - 30
31 - 33
34 - 36
38 - 40
HIPS
37 - 38
39 - 40
42 - 43
45 - 46
49 - 50
MEN
S
M
L
XL
XXL
CHEST
36 - 38
39 - 41
42 - 44
46 - 48
50 - 52
WAIST
30 - 32
32 - 34
35 - 37
38 - 41
43 - 45
NECK
14 - 14.5
15 - 15.5
16 - 16.5
17 - 17.5
18 - 18.5
SLEEVE
32.5
33.5
34.5
35.5
36.5
FINDING YOUR SIZE
Take your measurements with the tape measure over your under garments. If your measurements fall between sizes you may prefer the next larger size. Inseam, skirt and dress lengths vary by style and will be listed in the item description. Our sweaters are knit in standard American sizes, however actual measurements vary by style.
BUST / CHEST
Measure around the fullest part of chest under the arms and over the shoulder blades keeping the tape measure level.
WAIST
Measure around the smallest part of the waist keeping the tape measure comfortably loose. Most garments use the low waist measurement noted below.
LOW WAIST
Measure around the body approximately 1.5" below the natural waist (above). This is the area where most pants and skirts actually fit.
HIPS
Standing with your heels together, measure around the fullest part of the body approx 7"-8" below the waist.
NECK
Measure around the base of the neck keeping the tape measure comfortably loose.
SLEEVE
Bend elbow slightly and starting at the center back of the neck, measure across the shoulder, to the elbow and down to the wrist.
INSEAM
Our standard inseam length for women is 32" and 34" for men; however inseam measurements will vary slightly by style.
Belts with buckles are measured in inches that correspond to a waist size however, most people do not wear belts on the waist, they wear them closer to the hips. A buckle belt measurement is take from the end of the "pin" of the buckle to the middle hole on the belt. Generally there are 5 holes for size adjustment, with a 1" space between each, so the middle hole will the be average size of the belt.
For at tie belt (no buckle) measure the belt portion end to end and half of the tie portion. This again is the medium size of the belt.
For a soft fabric tie belt it can be called "1 size fits most" and the entire length of the belt should be measured and listed.
See buckle/tie belt size standards below.
WOMEN
S
M
L
XL
4
6
8
10
12
14
16
18
20
22
inches
26 - 30
28 - 32
31 - 35
34 - 38
38 - 42
cm
76 - 86
81.5 - 91.5
86.5 - 96.5
91.5 - 101.5
96.5 - 106.5
+/- tolerance: 0.5 inches or 1.25 cm
MEN
S
M
L
XL
XXL
inches
30 - 34
32 - 36
35 - 39
39 - 43
43 - 47
cm
81.5 - 91.5
86.5 - 96.5
91.5 - 101.5
96.5 - 106.5
109 - 119
+/- tolerance: 0.5 inches or 1.25 cm
Sash tie length
Lay sash/tie out flat away from the garment and measure from end to end.
Belt with buckle
Measure from the end of the pin of the buckle (where it touches the buckle) to the middle hole.
Belt without buckle
Measure from the belt portion end to end and half of the tie portion. This is will give you the medium size of the belt.
Download our printable ring sizing chart to find the perfect fit!
We refer to these items as "discounted wholesale". Such items carry a deeper wholesale discount than other items, and have greater potential to provide your business with healthier resale margins.
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