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Artisan Crafted Majolica Ceramic Bird Pitcher from Mexico, 'Owl Hospitality'

Product ID: U163708

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Artisan Crafted Majolica Ceramic Bird Pitcher from Mexico, 'Owl Hospitality'

5.0 (artist rating)

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This item is available for pre-order and will ship within 2 to 8 weeks. Learn More

Available in 2 to 8 weeks. Learn More

Details

Crafted of ceramic, a Talavera-style owl serves up drinks with Mexican hospitality. A master of Mexico's colonial Majolica ceramics, Gorky González creates this whimsical pitcher. He signs his work "AT," for alfarería tradicional (traditional ceramics).

Made in Mexico

  • Ceramic
  • Free of lead and toxins
  • Hand wash only
  • Hand-crafted item -- color, size and/or motif may vary slightly
  • Marked with artist's initials or trademark
  • Free Gift Wrap? No
  • Premium Gift Wrap? No
  • 1.20 kgs
  • 2.6 lbs
  • 21 cm H x 16 cm W x 21.5 cm D
  • 8.25" H x 6.25" W x 8.5" D
  • 2600.0 ml
  • 87 oz.
View in metric units View in US/English units

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Gorky Gonzalez

Meet the Artist

Artfully crafted by Gorky Gonzalez from Mexico.

 

Meet the Artist

Gorky Gonzalez

Gorky Gonzalez

5.0 (artist rating)

In 1992, Mexico's then president awarded Gorky Gonzalez with the National Award of Sciences and Art. "My main interest was always the rescue of traditional Majolica pottery."

Latest Update"I learned at the hands of my father, who was also named Gorky. It's curious how parents ask you to carry... Latest Update

"I learned at the hands of my father, who was also named Gorky. It's curious how parents ask you to carry on the family legacy, down to their own names. But this is a legacy that greatly impassions me.

"I learned how to create distinct colorations in ceramic in 1994, certain that I could make designs that were more original and distinguish us as a family. From the beginning, this has been our family mission and our trademark.

"Over the years, we have worked hand in hand with you to sell our work internationally in a way that is fixed and secure. This has given us the opportunity to share this family art tradition with people around the world.

"We've been able to give work to more people and create a beautiful atmosphere of trust and family in our workshop. It wasn't always like this. When you work with artists and artisans, inspiration governs each of your activities. When it comes to quality assurance, developing a process that could be repeated on a daily basis was challenging. For us, quality is supremely important.

"We have been able to increase our sales, which has allowed us to create more models for the ceramic designs that we use on a daily basis. Color is the principal focus. We create works that are beautiful and filled with color.

"We feel very happy and blessed to have the opportunity to show our work to everyone. With all our hearts, we want to continue being a part of this project that has inspired us so much and made us believe in ourselves and in the legacy that we want to share. We have only one direction — forward."

Original Artisan Story

Among his many, many awards, Gorky Gonzalez received the Premio Nacional de Ciencias y Artes in the area of Popular Arts and Traditions, from the hands of Mexico's president in 1992. "I was born in Morelia on September 27, 1939. My father was the sculptor Rodolfo González, with whom I worked and studied sculpture, metal casting and the lost wax process.

"In 1962, at the age of 23, I worked in the School of Arts and also the Instituto Allende in San Miguel de Allende. There, I set up a metal casting workshop for sculpture and it was used by both students and teachers. Later on, I founded a small ceramics workshop where I reproduced Jean Byron's designs in terracotta.

"However, my main interest was always the rescue of traditional Majolica pottery. I studied ceramics in Guanajuato, and this certainly let me see the need to rescue this lost craft, so representative of the region. It was through this interest that I met Hisato Murayama, a very well-educated young Japanese man who was here studying Spanish, philosophy and Mexican history. He had a deep knowledge of ceramic techniques and lent me a number of books on Japanese art. He encouraged me to continue my studies in his country, and I received a two-year scholarship to study in Japan. While there, I not only learned new ceramic techniques, but I also met Toshiko, the woman who became my wife.

"I first studied in Tokyo with the master Tsuji Seimei who he taught me the shigaraki technique. Then I moved to Bizen where I studied with Kei Fijiwara, who is considered a living national treasure. With him, I learned the technique known as bizen yaki. My last teachers were Kato Kobe and Kioske Fujiwara, who taught me the ten-Mocu, karatzu and Shino techniques. All of these are very ancient techniques, which require special effort and attention in the elaboration of ceramics.

"From that time on, I dedicated myself to the rescue and preservation of the Majolica technique in Mexico, maintaining the original designs used during the colonial period. This is why my workshop has become the most important one dedicated to traditional Majolica in Mexico."

Gorky González has exhibited his work throughout Mexico as well as in the U.S., including New York (1965, 1986, 2002), the University of North Dakota (1985), San Antonio (1991), Atlanta (1995), New Orleans (2000), San Francisco (2003), and in Montreal, Canada (1968). His work has appeared in European venues such as Madrid (1979), Paris (1990, 1999), Savona (1990), Frankfurt (1991), Cologne (1996), and in Cairo, Egypt (1991). His Latin American expositions include San Jose (Costa Rica, 1989), Brasilia (1992), Montevideo (1993) and Lima (1993). He has also returned to Japan, exhibiting his work in Tokyo (1967, 1997) and Okayama (1968).

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WOMEN S M L XL XXL
4 6 8 10 12 14 16 18 20 22
BUST 35 - 36 37 - 38 39 - 41 42 - 44 46 - 48
WAIST 27 - 28 29 - 30 31 - 33 34 - 36 38 - 40
HIPS 37 - 38 39 - 40 42 - 43 45 - 46 49 - 50
MEN S M L XL XXL
CHEST 36 - 38 39 - 41 42 - 44 46 - 48 50 - 52
WAIST 30 - 32 32 - 34 35 - 37 38 - 41 43 - 45
NECK 14 - 14.5 15 - 15.5 16 - 16.5 17 - 17.5 18 - 18.5
SLEEVE 32.5 33.5 34.5 35.5 36.5
FINDING YOUR SIZE

Take your measurements with the tape measure over your under garments. If your measurements fall between sizes you may prefer the next larger size. Inseam, skirt and dress lengths vary by style and will be listed in the item description. Our sweaters are knit in standard American sizes, however actual measurements vary by style.

BUST / CHEST

Measure around the fullest part of chest under the arms and over the shoulder blades keeping the tape measure level.

WAIST

Measure around the smallest part of the waist keeping the tape measure comfortably loose. Most garments use the low waist measurement noted below.

LOW WAIST

Measure around the body approximately 1.5" below the natural waist (above). This is the area where most pants and skirts actually fit.

HIPS

Standing with your heels together, measure around the fullest part of the body approx 7"-8" below the waist.

NECK

Measure around the base of the neck keeping the tape measure comfortably loose.

SLEEVE

Bend elbow slightly and starting at the center back of the neck, measure across the shoulder, to the elbow and down to the wrist.

INSEAM

Our standard inseam length for women is 32" and 34" for men; however inseam measurements will vary slightly by style.

 

Belts with buckles are measured in inches that correspond to a waist size however, most people do not wear belts on the waist, they wear them closer to the hips. A buckle belt measurement is take from the end of the "pin" of the buckle to the middle hole on the belt. Generally there are 5 holes for size adjustment, with a 1" space between each, so the middle hole will the be average size of the belt.

For at tie belt (no buckle) measure the belt portion end to end and half of the tie portion. This again is the medium size of the belt.

For a soft fabric tie belt it can be called "1 size fits most" and the entire length of the belt should be measured and listed.

See buckle/tie belt size standards below.

WOMEN S M L XL  
4 6 8 10 12 14 16 18 20 22
inches 26 - 30 28 - 32 31 - 35 34 - 38 38 - 42
cm 76 - 86 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5

+/- tolerance: 0.5 inches or 1.25 cm

MEN S M L XL XXL
inches 30 - 34 32 - 36 35 - 39 39 - 43 43 - 47
cm 81.5 - 91.5 86.5 - 96.5 91.5 - 101.5 96.5 - 106.5 109 - 119

+/- tolerance: 0.5 inches or 1.25 cm

Sash tie length

Lay sash/tie out flat away from the garment and measure from end to end.

Belt with buckle

Measure from the end of the pin of the buckle (where it touches the buckle) to the middle hole.

Belt without buckle

Measure from the belt portion end to end and half of the tie portion. This is will give you the medium size of the belt.

Download our printable ring sizing chart to find the perfect fit!

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